Guardian Australia hires Indigenous Affairs Editor
Guardian Australia has appointed award-winning journalist Stan Grant to its newly-created role of Indigenous affairs editor, effective immediately.
Guardian Australia has appointed award-winning journalist Stan Grant to its newly-created role of Indigenous affairs editor, effective immediately.
Based at the Wirral headquarters of the title, Claudia Tanner will be responsible for the day to day running of the magazine as well as commissioning and editing the health pages, travel and celebrity interviews.
Rock Sound, which has been recently been shortlisted for Consumer Media Brand Of The Year, Consumer Magazine Of The Year and Best Use Of Video in PPA Independent Publisher Awards, has announced a number of new appointments.
The Content Marketing Association (CMA), the industry body for the content marketing industry, last night announced the winners of its sixth annual International Content Marketing Awards at a ceremony at The Roundhouse in London.
Charlie Boyd has been appointed Executive Fashion and Jewellery Editor of Harper’s Bazaar and Town & Country.
The Editors’ Code of Practice has been revised to reflect the findings of the major review of the Code recommended by Lord Justice Leveson.
Sunday Times Insight Team editor Jonathan Calvert was named Journalist of the Year at the British Journalism Awards on 1 December.
Fearne Cotton has been appointed columnist for Glamour magazine, it was announced yesterday in a video newsflash on Glamour.com.
Bauer Media’s Grazia yesterday announced the appointment of Rebecca Lowthorpe as Fashion Director.
Football writer Henry Winter joins The Times after 21 years with The Daily Telegraph and eight years at The Independent.
ELLE UK has appointed Kenya Hunt as Fashion Features Director.
Software developer PCS has formed a partnership with Creative Workflows – an independent publishing consultancy firm, created and driven by magazine industry veteran, Sean Briggs.
Hearst Magazines UK has appointed former Heat Editor Julian Linley as Editor-in-Chief of Digital Spy to relaunch the brand.
Editors nowadays have to produce more content, across more platforms, but with less resource. They have to be both commercial and creative, to continue taking full responsibility, whilst ceding total control. It’s pressured, writes Claire Irvin, but
While politics aren't the business of this column, writes Karlene Lukovitz, the political arena is where the most important ramifications of the media revolution are becoming evident.
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