Why print’s still worth it
Print remains a central part in many publishers’ long term strategies. James Evelegh explains why…
Good magazine design is invisible. Readers notice the stories, the photography, the ideas. The layout guides them through without them realising it. Bad design gets noticed immediately.
Magazine layout is more than aesthetics. It creates hierarchy, guides the reader, establishes brand identity and drives commercial value. Every choice in typography, white space, image placement and colour either reinforces what a title stands for or undermines it. The fundamentals apply whether the output is a printed spread, a tablet edition or a responsive web page.
Design is a verb, not a noun. It's a process. It's not just shapes and colours, it's about understanding who you are, and then matching your values to those of your customers.
Andy Cowles Four design decisions that will transform the experience of your brand
Cover design deserves particular attention from specialist and B2B publishers. A cover that once lived only in print now exists as a digital thumbnail, an email header, a social media post. Getting it right means understanding not just what looks good, but who your reader is and what makes them pick you up.
Editorial design across the sector has never faced more demands. User experience, responsive layout, the balance between advertising and editorial on screen. These require design thinking that goes beyond traditional magazine design skills. Publishers who treat their digital presence as an afterthought to print are missing significant opportunities.
Below you'll find some of our best feature articles on the subject, from practical design guidance to case studies and expert interviews, alongside our latest news and industry commentary.
Design can make or break your publishing brand, so it’s worth putting in the time to get it right. There are four key areas that publishers need to focus on, says Andy Cowles.
The purpose of design is to engage readers and ensure they continue reading, says Michael Chinnery, founder of CPUK Print Publishing.
It’s not just newsstand titles that require well designed covers, says Andy Cowles. For specialist titles too, the front cover helps define the magazine and its readers.
Welcome to our latest special feature, this time looking at all aspects of content production and UX. All of the insights and opinions come from leading suppliers to the publishing sector and from senior executives at UK publishing companies.
Don’t rush to conclusions about UX issues, says OpenAthens’ Sarah Underwood; take time to understand the problem.
When it comes to image quality, publishers tend to put much more effort into pictures that appear in print than those that appear online. This, says Pixometry's John de Jong, is a mistake and one that can be easily avoided.
Welcome to our first publishing workflows special, an extended feature taking an in-depth look at all aspects of the content creation process. All of the insights and opinions come from leading suppliers of publishing software & from senior editors.
Print remains a central part in many publishers’ long term strategies. James Evelegh explains why…
The right picture elevates a story, increasing views and view time. The wrong picture does the opposite. What’s the secret of taking great pictures and video? We ask InFocus Moments’ Seb Evans.
Today’s Golfer has unveiled a fresh new look and announced its ‘Your Essential Guide to The Masters’ supplement to be published with the May issue as golf season starts.
Director Ben Wheatley has designed the cover for next issue of Film Stories.
Leicester-based trade printing book and booklet specialist Flexpress has invested over £3 million in a series of equipment spends which will see all of their main printing machines changed this year.
Print offers focus, depth and credibility in an age of constant digital distraction, says Denmaur’s Danny Doogan.
Don’t rush to conclusions about UX issues, says OpenAthens’ Sarah Underwood; take time to understand the problem.
The Radio Times has redesigned its logo for the first time in over 20 years.
Micropress announces the launch of its new online print platform, Press Print.
Roularta Printing is now printing and shipping hundreds of thousands of copies into the UK for British publishers, including for time-sensitive weekly titles, as Steven Renders and Bart Declercq tell James Evelegh.
The British Society of Magazine Editors has unveiled the shortlist for the BSME Awards 2025.
The task for publishers is to turn AI advances in image creation and editing into repeatable workflows. Derek Milne, commercial pixometrist at Pixometry, explains how this can be done.
Publishers wanting to harness the true potential of AI around workflow efficiency, should approach implementations strategically. Tom Pijsel, VP product management at WoodWing, explains how this can be achieved.
Continuing their campaign of reinvestment into their bindery, Warners Midlands have announced they have added another palletiser to boost efficiencies.
James Evelegh picks out some of the many top tips from InPublishing’s recent ‘Celebration of Print’.