Print choices: 5 minutes with… Michelle Pearce
Where you print your magazine, when you print it and what you print it on, are all fundamental choices publishers face. We ask Bishops Printers’ Michelle Pearce for her advice…
Where you print your magazine, when you print it and what you print it on, are all fundamental choices publishers face. We ask Bishops Printers’ Michelle Pearce for her advice…
When it comes to image quality, publishers tend to put much more effort into pictures that appear in print than those that appear online. This, says Pixometry's John de Jong, is a mistake and one that can be easily avoided.
Print is proving much more resilient than many once expected, but publishers and printers need to work together to ensure its long term future.
National World has not just redesigned its metro titles, writes Tim Robinson, it has completely rethought the age-old daily format for the modern reader.
Roularta Printing, the Belgium-based printing company, has announced that the Financial Times has chosen it to print their magazines destined for distribution across EMEA.
Magazine production costs have risen sharply over the last few years, squeezing profit margins and putting some titles out of business. We grab five minutes with Marketforce’s Mark Constance to explore what publishers can do to control their costs.
The October edition of Film Stories has a new look and increased pagination, making it, say the publishers, the UK’s biggest film magazine.
Independent publishers face the same tasks and challenges that big publishers do but with far less resource. Overstretched, it’s easy to overlook something important. CPUK’s Michael Chinnery lists some of the key things they need to be aware of.
How your magazine is designed says a lot about you and your title. It’s worth doing a professional job. We grab five minutes with Dean Cook of The Magazine Production Company to talk about magazine design.
Denmaur has announced the launch of its new Reel Fast express sheeting service.
National World has announced that they will be partnering with Newsquest for the production of their Scotland and England newsbrands.
In his June column, Dickon Ross looked at the ability – or inability – of artificial intelligence to write an engaging column. Now, he puts AI’s artistic skills to the test.
For many publishers, the printed magazine remains their flagship offering. In challenging times, what can they do to get the best possible return on their print investment? We ask The Manson Group’s Chris Ferrari-Wills.
James Evelegh picks some of the best quotes from our content production and UX special feature.
Welcome to our latest special feature, this time looking at all aspects of content production and UX. All of the insights and opinions come from leading suppliers to the publishing sector and from senior executives at UK publishing companies.
280 articles - Page 3/19
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