Jodie Ginsberg, CEO of the Committee to Protect Journalists, gave this year’s James Cameron Lecture at City St George’s, University of London on the 4th March. This is the transcript of the lecture.
Claims by Big Tech firms and their allies that weakening UK copyright law would boost AI growth and the economy are not supported by their own evidence, according to a new review by Oliver & Ohlbaum.
IOP Publishing has expanded its article publication charge discount and waiver programme to make open access publishing more accessible to a wider global community of authors.
Empire unveils world exclusive preview of Star Wars: The Mandalorian and Grogu, in close collaboration with Lucasfilm and Disney.
Bloomberg’s Real-Time News Feeds deliver machine-readable news, comprising headlines, story bodies, social media posts and an array of textual analytics and metadata enrichments.
The Independent marked International Women’s Day with the release of Independent Women 2026: The Influence List — celebrating the women shaping Britain today.
IOPP’s 2025 Highlights Report summarizes progress made throughout the year.
ACE has announced the shortlist for the its 2026 Newspaper and Magazine awards.
Major news brands including the Guardian form new coalition to promote responsible AI licensing.
The UK press had been anticipating a week of post by-election postmortems when the US and Israel decided to attack Iran. Paul Connew looks at how the press has covered the conflict so far…
The New York Times international desk welcomes Adina Renner, who will report and create graphics and multimedia stories.
Time Out has officially launched its UK YouTube channel, marking a new chapter in the brand’s continued expansion across video and social platforms.
Elsevier and Jisc last week announced a three-year read and publish agreement for UK institutions.
Charlotte Dewar, chief executive of IPSO, sees the organisation’s role as protecting both the public and journalists, through an ongoing raising of standards. She tells Ray Snoddy that, despite calls for Leveson 2, self-regulation is working.
Schoolchildren will soon be taught how to spot fake pictures in the latest changes to the national curriculum, so what chance does the professional photographer have in an AI saturated world of made-up imagery?, asks Alan Geere.
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