Bishops announces new print finishing investments
Portsmouth-based print and mailing specialist Bishops Printers is marking its 40 years in business with new investments in its print finishing department.
Good magazine design is invisible. Readers notice the stories, the photography, the ideas. The layout guides them through without them realising it. Bad design gets noticed immediately.
Magazine layout is more than aesthetics. It creates hierarchy, guides the reader, establishes brand identity and drives commercial value. Every choice in typography, white space, image placement and colour either reinforces what a title stands for or undermines it. The fundamentals apply whether the output is a printed spread, a tablet edition or a responsive web page.
Design is a verb, not a noun. It's a process. It's not just shapes and colours, it's about understanding who you are, and then matching your values to those of your customers.
Andy Cowles Four design decisions that will transform the experience of your brand
Cover design deserves particular attention from specialist and B2B publishers. A cover that once lived only in print now exists as a digital thumbnail, an email header, a social media post. Getting it right means understanding not just what looks good, but who your reader is and what makes them pick you up.
Editorial design across the sector has never faced more demands. User experience, responsive layout, the balance between advertising and editorial on screen. These require design thinking that goes beyond traditional magazine design skills. Publishers who treat their digital presence as an afterthought to print are missing significant opportunities.
Below you'll find some of our best feature articles on the subject, from practical design guidance to case studies and expert interviews, alongside our latest news and industry commentary.
Design can make or break your publishing brand, so it’s worth putting in the time to get it right. There are four key areas that publishers need to focus on, says Andy Cowles.
The purpose of design is to engage readers and ensure they continue reading, says Michael Chinnery, founder of CPUK Print Publishing.
It’s not just newsstand titles that require well designed covers, says Andy Cowles. For specialist titles too, the front cover helps define the magazine and its readers.
Welcome to our latest special feature, this time looking at all aspects of content production and UX. All of the insights and opinions come from leading suppliers to the publishing sector and from senior executives at UK publishing companies.
Don’t rush to conclusions about UX issues, says OpenAthens’ Sarah Underwood; take time to understand the problem.
When it comes to image quality, publishers tend to put much more effort into pictures that appear in print than those that appear online. This, says Pixometry's John de Jong, is a mistake and one that can be easily avoided.
Welcome to our first publishing workflows special, an extended feature taking an in-depth look at all aspects of the content creation process. All of the insights and opinions come from leading suppliers of publishing software & from senior editors.
Portsmouth-based print and mailing specialist Bishops Printers is marking its 40 years in business with new investments in its print finishing department.
LEIPA UK has announced a key leadership transition as Managing Director Sarah Lesting prepares to depart this month.
If your digital magazine is not a premium pleasurable reading experience on mobile, then it’s time to rethink your strategy, says eMagazines’ Blake Pollard.
The paper industry is not responsible for mass deforestation, says Denmaur’s Danny Doogan, and it’s important to put the record straight.
Micropress has ordered a DRUPA 2024 Speedmaster XL 106-8P with Plate to Unit from Heidelberg.
At our recent AI Special Q&A webinar, we ran out of time before we could get to all the questions. Here are the questions we missed on the day, and our expert panellists’ answers.
The Stationers’ Company has been appointed as custodian of the Paper Gold Medal.
For print production teams, deadline day is a full-on experience. Dean Cook of The Magazine Production Company talks us through a recent deadline day, processing three hyperlocal newspapers.
Communications International Group has made its second new appointment of 2025 with the recruitment of James Rohan to be the company’s new studio head and creative lead.
Both internally and externally, digital publishing is increasingly collaborative. Teams and organisations are joining up their assets, insights, and connections to achieve a stronger foothold in the tumultuous media ecosystem.
AI is driving major workflow efficiencies and image enhancements within editorial and picture teams, says Derek Milne, commercial pixometrist at Pixometry.
The Stationers’ Company has announced the winners of the Innovation Excellence Awards.
With cost and environmental pressures to the fore, publishers and their print partners are having to work much more collaboratively. We grab five minutes with The Manson Group’s Chris Ferrari-Wills to look at the choices they face.
It’s not just newsstand titles that require well designed covers, says Andy Cowles. For specialist titles too, the front cover helps define the magazine and its readers.
Members of the Geological Society of London will notice a bold new look for their membership magazine Geoscientist when the Autumn issue lands in September.