Denmaur welcomes new majority shareholder
Denmaur Paper Media has announced that Harry E Gould Jr has acquired an interest in the business.
Good magazine design is invisible. Readers notice the stories, the photography, the ideas. The layout guides them through without them realising it. Bad design gets noticed immediately.
Magazine layout is more than aesthetics. It creates hierarchy, guides the reader, establishes brand identity and drives commercial value. Every choice in typography, white space, image placement and colour either reinforces what a title stands for or undermines it. The fundamentals apply whether the output is a printed spread, a tablet edition or a responsive web page.
Design is a verb, not a noun. It's a process. It's not just shapes and colours, it's about understanding who you are, and then matching your values to those of your customers.
Andy Cowles Four design decisions that will transform the experience of your brand
Cover design deserves particular attention from specialist and B2B publishers. A cover that once lived only in print now exists as a digital thumbnail, an email header, a social media post. Getting it right means understanding not just what looks good, but who your reader is and what makes them pick you up.
Editorial design across the sector has never faced more demands. User experience, responsive layout, the balance between advertising and editorial on screen. These require design thinking that goes beyond traditional magazine design skills. Publishers who treat their digital presence as an afterthought to print are missing significant opportunities.
Below you'll find some of our best feature articles on the subject, from practical design guidance to case studies and expert interviews, alongside our latest news and industry commentary.
Design can make or break your publishing brand, so it’s worth putting in the time to get it right. There are four key areas that publishers need to focus on, says Andy Cowles.
The purpose of design is to engage readers and ensure they continue reading, says Michael Chinnery, founder of CPUK Print Publishing.
It’s not just newsstand titles that require well designed covers, says Andy Cowles. For specialist titles too, the front cover helps define the magazine and its readers.
Welcome to our latest special feature, this time looking at all aspects of content production and UX. All of the insights and opinions come from leading suppliers to the publishing sector and from senior executives at UK publishing companies.
Don’t rush to conclusions about UX issues, says OpenAthens’ Sarah Underwood; take time to understand the problem.
When it comes to image quality, publishers tend to put much more effort into pictures that appear in print than those that appear online. This, says Pixometry's John de Jong, is a mistake and one that can be easily avoided.
Welcome to our first publishing workflows special, an extended feature taking an in-depth look at all aspects of the content creation process. All of the insights and opinions come from leading suppliers of publishing software & from senior editors.
Denmaur Paper Media has announced that Harry E Gould Jr has acquired an interest in the business.
Great magazine design is not the sole preserve of up-market glossies. Any publisher can do it! We grab five minutes with Dean Cook, MD of The Magazine Production Company.
In an increasingly frenetic media world, how do magazines stand out from the crowd and win reader loyalty? One way is to make the front cover extra special. We grab five minutes with Steve Middleton, sales director at Celloglas, to find out what inte
ATG Media, the Peterborough based company providing magazine editorial design and advertising production services to publishers, has announced a number of new clients.
Danny Doogan's article in the Publishing Partners Guide 2019
What role will print have in publishing’s future? Will it survive, should it survive? We grab five minutes with Matt Carry, sales director at Acorn Web Offset.
Acorn Web, the magazine printer, continues its focus on short to medium run A4 and A5 magazines by adding a new 32pp Lithoman press from manroland Goss web systems.
Walstead, the parent company of Wyndeham Group, today announces that all the companies in Wyndeham Group will be rebranded and integrated under the Walstead name in the first quarter of 2019 and the Wyndeham brand will then cease to be used.
The Printing Charity announced at its 191st Annual Luncheon on 22 November at Stationers’ Hall, London, that Lionel Barber, Editor of the Financial Times, has accepted its invitation to serve a second term as the charity’s President.
Denmaur Paper Media has given a facelift to its flagship range, Amadeus, with new branding and imagery, and an addition to the range in the form of 400g/m² Silk.
With a deep understanding of what appeals to their audiences, editorial teams are expert in designing, creating and curating content that works. With digital workflow tools, they have the means to do it smarter, faster and in a more cost-effective wa
Condé Nast International yesterday unveiled its global creative network, Condé Nast Creative Studio; unifying its eleven creative departments under a single brand identity, dedicated to servicing the needs of commercial partners around the world.
A fourth Stahlfolder TH 82-P (and the company’s 11th folder in total) is being added by Stephens & George to meet the significantly increased output from the “Push to Stop” version Speedmaster XL 106-8-P press installed in the summer.
Digital publishing company Exact Editions are partnering with Warners Group Publications to produce digital editions of 12 magazines.
Despite the trend to digital, publishers still get through a lot of paper, but are they making the right choices? We grab five minutes with Danny Doogan, director of marketing and sustainability at Denmaur Paper Media.